It is with a sad (but tired) heart I write this in the beautiful Small World Theatre – @theatrbydbychan – in Cardigan, the end of the richard iii redux OR Sara Beer Is/Not Richard III tour, and the venue closest to The Llanarth Group’s base. I’m writing in the darkened auditorium as our intrepid stage manager and general all round good egg Jacqui George focuses the lights and prepares for this evening’s performance. I love get-ins and techs – unusual, I am consistently told, for a playwright. I believe that theatre is a collaborative process and this is when the blueprint I wrote comes into being…
We’ve had an incredible response to the project, and already receiving invitations to festivals and other venues, so I’m sure this will not be the last time ‘the brilliant Sara Beer’ takes on the role of Richard…. What follows in this blog are links to reviews, articles, and interviews.
First up, the essay I wrote for Howl Round about ‘Cripping the Crip’ and reclaiming that poster-boy of embodied difference, Richard III. Buzz magazine interviewed performer Sara Beer, and she wrote In my Words for Arts Scene in Wales. Director and co-writer Phillip Zarrilli reflected on revising, remixing and reinventing Shakespeare for Wales Arts Review
Our reviews universally complimented Sara’s performances – here’s some soundbites and links, below:
Disability Arts Online Magazine: ‘Sara Beer is ‘really funny. I mean, very, very funny…[she] has…oodles and oodles of on-stage charm. Audiences love her, whether she’s sending herself up as a would-be diva or revealing her younger self. This audience was no exception, laughing one moment and then the next hanging on her every word… go and see it. You won’t regret it.’
Arts Scene in Wales: ‘…unpredictable… evokes laughter and reflection in equal measure…intimate…witty…ingenious…commanding and nuanced…thought provking…uncompromisingly funny…great power and impact…brave…’
Weeping Tudor Productions (5*): ‘dynamite theatre… an absorbing exercise in personal insight, humour, pathos and historical amendments’.
Theatre Wales Review: ‘Sara Beer’s Richard is…captivating…confirmed by the loud, loving, standing ovation…’
Wales Arts Review: ‘…Redux is a strong piece of work… Redux is full of grenades…dropped with disarming gentility by Beer….Beer is…charming and erudite, extremely good company…a damning indictment of an industry that actively discourages disabled actors from entering…’
We thank all the audiences who came and laughed, who listened so intently who engaged and applauded. We thank our funders Arts Council Wales and the venues who invited us into their realms. We shall be back…..