Tag Archives: workshop

Singing the Old Bones – a workshop with Kaite O’Reilly 7th September 2019

Singing the old bones –  new stories from ancient texts. 
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Revisiting older stories can be a masterclass in narrative. Myths, fairystories, epics from Ancient Greek drama and the oral tradition survive as they seem to speak to each age anew. These archetypal characters and narratives inspire and invite constant reinvention, yet the old bones remain true. In this practical workshop we will retell, remake and renew, participants exploring individual perspectives on timeless themes, reshaping ancient tales to illuminate something contemporary. The tutor, Kaite, is a repeat re-teller, creating to date three very different performances on the story of Blodeuwedd from The Mabinogion, and a new version of Aeschylus’s Persians,the oldest verse drama in the Western tradition, which won The Ted Hughes Award for New Work in Poetry.
We ask participants to come with a myth, fable, ancient drama or story, which we will use to explore the fundamentals of story making: theme, structure, setting, dialogue and character. Through examples of Kaite’s diverse approaches to reinventing existing texts, we will make our own, sparking a new cycle of telling and retellings, seeding work which could be developed further beyond the masterclass.
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Workshop 2-5pm on 7th September 2019, £25.
Small World Theatre | Theatr Byd Bychan
Cardigan | Aberteifi, SA43 IJY
Booking:
sam@smallworld.org.uk
01239 615 952
smallworld.org.uk
twitter: @theatrbydbychan
Numbers are limited and already almost sold out, but plans are afoot for a further workshop/event in November 2019 at the same venue. Further details will follow.
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After the workshop:
Launch of ‘Persians’ Kaite O’Reilly’s new version of Aeschylus’s classic verse drama. 6pm. Free entry.
Aeschylus was a soldier-playwright involved in the battle of Salamis in 480 BCE, when the vastly out-numbered Greeks defeated the might of the marauding Persian Empire. This exploration of the pity of war from the point of the view of the defeated is an extraordinary feat of compassion, and the oldest existing text in the Western theatrical canon. Kaite wrote her new version for Mike Pearson’s site-specific production on Ministry of defence land in the Brecon Beacons for National Theatre Wales’s inaugural year. Revised and reinvented, it won The Ted Hughes Award for New Works in Poetry and is published by Fairacre Press.
Kaite will read from the verse drama and speak about the historical and contemporary contexts of this extraordinary text. There will be a book signing after the reading and launch.
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“In her version of Europe’s oldest dramatic poem, a requiem to a nation’s dead in a reckless, fruitless war, Kaite O’Reilly chooses the iambic drumbeat of English blank verse, and a long-lined lyricism that befits an epic lament. The language is modern, the word-music timeless… In this powerful translation, the three voices of the Chorus tell the tragic story in a breathless song of mourning that insists on being heard….”  Gillian Clarke.
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I will be making a ‘reveal’ of the cover and details of this publication after Easter… have a restful and creative time.

Alternative Dramaturgies: a workshop with Kaite O’Reilly.

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I’m delighted to be giving a workshop at The Tobacco Factory in Bristol on March 25th 2013:

ALTERNATIVE DRAMATURGIES: organising material, shaping and structuring stories

How does a script end up being the shape it is? 
What factors impact on a playwright’s decision to create a play in a certain way, with a specific structure?

A script is not just dialogue, characterisation and action. A play does not just tell a story. This workshop will consider some of the other dramaturgical elements involved in making a blueprint for live performance – the elements which aren’t usually covered in workshops – and ask, what are the organisational principles which can inform process and dramatic structure? How do logic, tempo rhythm, dramatic progression and the journey of an audience impact on the shape of a performance text? How do metaphor, concept, and imagery come into play?

Through looking at specific examples this workshop will explore different ways of shaping a script. There is selected advance reading – further details from Carrie on 0117 9020345

or at

http://tobaccofactorytheatre.com/plus/events/workshop_alternative_dramaturgies/