Tag Archives: The aesthetics of access

The Writer’s Compass: inclusivity, diversity, innovation

The Beauty Parade. Wales Millennium Centre 5-14 March 2020

A Christmas bauble of Sophie Stone, Georgina White and Anne-Marie Piazza in a seasonal image of my next production, The Beauty Parade. Opening at Wales Millennium Centre (WMC) in March 2020, I’m currently completing the book and lyrics for this performance, working with composer Rebecca Applin and co-director Phillip Zarrilli:

“We are the secret moon squadrons. Dropped by moonlight to set Europe ablaze.”

It’s the 1940s, deep in wartime, men are fighting on the front line and women don’t engage in armed combat; they keep the fires burning, the factories going, and the children fed at home. Or so we were told…

The Beauty Parade has been a project a long time coming… It was inspired by a story told to me by my ‘adopted Grandma’ Molly Schuessele in the early 1990’s, about ordinary women recruited, trained as agents and then dropped by parachute behind enemy lines into occupied France 1941-44. I began exploring both the theme and the form in my 2017/18 Creative Wales Major Award: The performative power of words with music, before being commissioned to bring it to fruition by WMC. A collaboration between Deaf and hearing artists, it exemplifies the innovation in form and aesthetic I have been speaking about recently, at Simbiotic Festival (Barcelona) and for the British Council / Acesso Cultura in Lisbon earlier this week.

Barcelona and the Portugese event featured interactions with directors, programmers and artists, where I argued that so-called ‘access tools’ should be put at the heart of the creative process – ‘the aesthetics of access’. Rather than being an ‘add-on’ for ‘the disabled’ or ‘the Deaf’, I argue that creatively incorporating audio description, captioning, sign or visual languages into our performances from the outset develops the form and leads to innovative, exciting work.

It is immensely gratifying to have interest in inclusivity and work led by disabled and Deaf artists. For decades I and many others have been banging on doors, proselytising about the necessity of diversity not just in bodies on stage, but the stories told, by whom, and how. Working with fabulous composer Rebecca Applin and performer/visual language expert Sophie Stone has been a phenomenal experience, interweaving Deaf and hearing performance cultures into a hybrid, a ‘third way’….

After a short r&d next week, our rehearsals start with the full cast and company in Cardiff at WMC in February 2020. Along with writing the book and lyrics, I’m also co-directing with Phillip Zarrilli and co-producing with Emma Evans of WMC. Tickets are on sale now and further information about the production is available here.