The past month in Singapore has been a phenomenally busy but rich time. I fly back to the UK later today, having completed my teaching of Dramaturgy at ITI – the Intercultural Theatre Institute – and writing workshops for the emerging Deaf and disabled writers and practitioners of Project Tandem. Last night I presented my British Council ‘Knowledge is Great’ talk: Nothing About Us Without Us – What Can Singapore learn from 30 years of the UK’s Disability arts and culture?’ I presented in the Glass Hall of the beautiful Singapore Art Museum and am so grateful to have had this opportunity to speak about my work and the UK’s disability arts scene. Singapore is currently embracing all things to do with disability and diversity – a time full of great potential for reshaping a more inclusive society and arts scene in the future, although there are many questions, particularly regarding the difference between Disability arts – led by disabled artists, informed by the Social Model of disability and often an expression of lived experience in a disabling world, and arts and disability.
It was great to be able to speak about the work I’ve made both within the so-called ‘mainstream’ and with Deaf and disabled collaborators over thirty years, and to share some video and images from productions in the past five years. The response was fantastic, with many questions and comments and right at the end of a lively post-talk discussion, assertions regarding the need for agency and disabled and Deaf leadership opportunities, as opposed to the charity model currently prevalent in Singapore. It was a lively and stimulating event, and I’m thankful for all those who made comments and asked questions. All the organisations and individuals I have met in Singapore have said how dialogue is so important – to discover if there are lessons or shortcuts to be learned for Singapore from the experience in the UK. Every country has its own context and history and will forge its own path forwards to what we all hope will be a more fair and egalitarian future – and if I can assist in this dialogue of difference and diversity, I am more than happy to.
I was so pleased we were able to share earlier this autumn the work in progress of my disability arts and culture collaboration with Singapore: And Suddenly I Disappear: the Singapore ‘d’ Monologues. An international r&d commission from Unlimited, it was a good example of disabled and Deaf-led work and the seeding of work by Deaf and disabled artists into the cultural sector – Unlimited’s mission statement.
This month has also been rich in meetings of the unexpected kind, with an invitation to the High Commission with my fellow collaborators for a royal reception. I attended with Nat Lim, Peter Sau, Danial Bawthan, Lee Lee Lim and Nice the dog, in a borrowed dress, courtesy of Nat (thank you). Formal attire was not included in my suitcase when I packed to come to Singapore and I was certainly not expecting to meet Prince Charles.
I was in Singapore at a great time to indulge my love for workshops, panel discussions and readings, as I coincided with the Singapore Writers’ Festival. Further fortune came with the focus this year being on Ireland, and I was able to meet and hear some of my favourite Irish authors and poets. Notes on these sessions and from some of the talks and workshops I attended will follow at a later date on this blog.
A final and most delightful meeting was with artist Chng Seok Tin at her studio. Seok Tin works in an astonishing breadth of mediums, becoming more tactile in her work after she lost her sight many years ago. It was such a pleasure to meet a woman artist so inventive and expressive, who embraces change and learning new techniques and form. I have asked her to participate in my ’20 Questions…’ series and so hope to present more information about her and her work in a future post.
The sun is blazing on this, my last day in Singapore, as I prepare for the chill of the UK and the closing-in nights of winter. I am so thankful to all who hosted me, met me, supported my work, talks and workshops and hope to return in Spring 2018.