Tag Archives: LAMDA

Resisting the star-making machine…

I’ve always hated the star-making machine – the way even early in career actors can be labelled ‘leading man’, ‘character actor’, ‘supporting role’, etc. Unfortunately I’ve observed this in various actor-training establishments, where the fate of a performer seems decided even before they’re out past the (drama school) gate.

I’ve been invited to final showcase productions for the industry, where graduating actors hope to attract agents or interest from casting directors. I’ve seen young in career performers snatched up immediately and thrust before the cameras (several graduates I saw a few years ago are appearing in major roles in block-buster television series this autumn). I’ve also seen the bias of some of these showcases – the way there are lead parts and other less demanding parts… I’ve seen the disparity in stage-time and tasks of the actor – so when director Kirstie Davis approached me about writing a text for the LAMDA showcase she was directing, I was more than willing.

We settled on a re-working of La Ronde (originally Reigen), Arthur Schnitzler’s scandalous expose of sexual mores across every strata of Viennese society, first produced in 1897. It has an intriguing dramatic structure – a ‘daisy-chain’ of duologues, where two figures interact, then are seen again, with a different partner, in a new setting. When considering how to approach the text, I was less interested in the sexual aspect of the original, and more engaged with the various encounters the characters might experience. Following the feminist notion of self, I was interested in exploring how we are not ‘fixed’ solo entities, but shape-shifters, changing in our roles and engagement depending on context.

The result, LIE WITH ME, was a commission from London Academy of Music and Dramatic Art, presented by their FdA Professional Acting and FdA Stage Management and Technical Theatre Students, performed in the LAMDA Linbury Studio and directed by Kirstie Davis in 2017. The play is an exploration of the connections and degrees of separation between individuals in post-truth, contemporary urban life. In my writing, I sought to reflect the realities of our times (Brexit, climate crisis, vloggers/virtual ‘influencers’, refugees and zero hours contracts, et al) – and in a fair and balanced way, with parity to all the cast.

The dramaturgy of LIE WITH ME gives equal playing time to all the performers and when writing, I set myself several tasks: each character had to have some kind of monologue, a meaningful action, and dialogue. The focus was on ensemble acting, and enabling each actor to show their breadth of their skills in two contrasting scenes.

It was terrific to see the work come to live back in 2017 with Kirstie’s stunning production. I always hoped that the text would have a chance for another outing – and so am delighted to reveal it has been selected as the final production showcase for ITI – Intercultural Theatre Institute in Singapore this November.

Intercultural Theatre Institute

INTERCULTURAL THEATRE INSTITUTE (ITI) based in Singapore, trains artists who want to make original, impactful contemporary theatre. ITI is shaped by theatre doyen Kuo Pao Kun’s vision of intercultural learning that draws from a matrix of traditional theatre systems and modern theatre-making.

https://www.iti.edu.sg/acting-school-singapore/

I have a long relationship with ITI and have been teaching seminars on Intercultural Dramaturgy there for over five years. I believe it is an unique training opportunity for today’s theatre makers; its faculty and alumni are impressive and filled with both vision and integrity. It is therefore even more of a pleasure and privilege to have one of my plays feature during their showcase at the stunning Esplanade Theatres in the Bay in November 2019, directed by Phillip Zarrilli.

The challenge that faces me now is adapting the script for a Singapore context, but the student actors are more than capable of guiding me on this. We recently had a readthrough of the text via Skype (certainly not the first time I’ve participated in rehearsals via Skype!). Phillip and I also set the cast specific tasks, from researching possible locations for the scenes to the cultural and political perspective on subjects as diverse as economic migrants, sexual identity and military service. I will document our process as we develop and when I join the company in Singapore later this autumn.

Meanwhile, closer to home, Taking Flight theatre company’s production of my play peeling has embarked on an autumn tour (trailer and details below). Here also is work and a company resisting the normative ‘star-making machine’ – a cast of Deaf and disabled performers presenting a metatheatrical play which interrogates representation of difference on stage, and the position of ‘atypical actors’ in this image-obsessed industry. I wish the cast and crew all the best on the tour and thanks again to director Elise Davison and producer Beth House.

It is only through writing new work, with new protagonists and dramaturgies we may make space for those beyond the limited normative notion of ‘leading ladies’ and the ilk. It is only through the collaboration of directors like Kirstie Davis, Elise Davison and Phillip Zarrilli, and organisations like ITI who challenge and expand the essence of what ‘actor-training’ is, that other voices, other bodies, and other stories get their fair time and space on our stages.

September 

18th Arlington Arts 01635 244 246  https://arlington-arts.com/

20th TheaterFestival Grenzenlos Kulture, Germany

24th Hertford Theatre* + 01992 531500  https://www.hertfordtheatre.com/

25th Malvern Cube 01684 575 363  https://www.malverncube.com/

26th The New Wolsey Theatre 01473 295900  https://www.wolseytheatre.co.uk/shows/pulse-presents-peeling

28th Wolverhampton Arena 01902 321 321  https://www.wlv.ac.uk/arena-theatre/

October 

2nd The Welfare, Ystradgynlais 01639 843163 https://thewelfare.co.uk/

3rd Courtyard Theatre, Hereford* 01432 340555 https://www.courtyard.org.uk/whats-on/

4th Bedales Theatre 0333 666 3366  https://www.bedales.org.uk/events/our-venues

5th Jackson’s Lane 020 8341 4421  https://www.jacksonslane.org.uk/

 Matinees at these venues
+ BSL interpreted post show Q & As at these venues 

Funded by The Arts Council of England, The Arts Council of Wales, Ty Cerdd and Birkdale Foundation. 

 

LIE WITH ME: 13-19 July 2017

Sarah Perahim and Arty Froushan in Kaite O’Reilly’s LIE WITH ME, directed by Kirstie Davis. Photograph by Ed Miles. © LAMDA 2017

It’s a great pleasure working with young actors, stage management and techies at the start of their professional careers. The skills are newly burnished, energy high and commitment strong.

Che Francis and Harrison Collett in LIE WITH ME by Kaite O’Reilly, directed by Kirstie Davis. Photograph by Ed Miles. (C) LAMDA 2017

There is also something both touching and inspiring about being involved in a launch production propelling fresh talent into the world. We know it’s a tough and precarious business, yet we still commit ourselves to the production of culture, the hopeful generator of discussion, thought and engagement in our audience about the world we inhabit today and into the future.

Molly Wheaton, LIE WITH ME by Kaite O’Reilly, directed by Kirstie Davis , Photograph by Ed Miles. © LAMDA 2017

My latest play, LIE WITH ME, was an exploration of the connections and degrees of separation between individuals in post-truth, contemporary urban life. Many who saw it commented on its topicality. Nathan Gearing, director of Rationale P and the Special Olympics commented: “There were times my heart strings were being pulled by certain characters, which was amazing, as each character only had 2 scenes….it felt like not a word was wasted and every word contributed to developing either an understanding of the character, society or the self.” 

Meg bennett and Joseph Aldous, LIE WITH ME by Kaite O’Reilly, directed by Kirstie Davis Photograph by Ed Miles. © LAMDA 2017

LIE WITH ME was a commission from LAMDA and presented by their FdA Professional Acting and FdA Stage Management and Technical Theatre Students, performed in the LAMDA Linbury Studio. It was a privilege to work with this tight ensemble and highly efficient technical crew – and I can’t wait to see what the individuals of this talented crew and cast do next.

Emma Rendell and Arty Froushan. LIE WITH ME by Kaite O’Reilly, directed by Kirstie Davis Photograph by Ed Miles. © LAMDA 2017

Cast: Molly Wheaton, Che Francis, Emma Rendell, Arty Frousham, Sarah Perahim, Joseph Aldous, Meg Bennett, Harrison Collett.

Director: Kirstie Davis

Set Designer: Alex Marker

Lighting Designer: Cameron Moore

Production manager: Verena Prandstaetter

Deputy Stage Manager: Abbey Bursack

Production Sound Engineer: Lizzie Alderson

 

All photos by Ed Miles. © LAMDA 2017

Remaking… inspiration from existing texts

Reigen, better known as La Ronde, was written by Arthur Schnitzler in 1897, and was published a few years later, solely for private circulation. The play reveals the sexual morals and mores of a society, across all echelons, revealing hypocrisy but also how sex, like death, is the great leveller, regardless of status. In a series of duologues, the audience follows the characters through various encounters – the whore and the soldier, the soldier and the maid, the maid and the young gentleman, the young gentleman and the politician’s wife, and so on, around and around, until we turn full circle with the last encounter, the count and the initial streetwalking whore.

There have been many adaptations of the script over the years, most famously with David Hare’s two-hander, The Blue Room (1994) and Joe DiPietro’s Fucking Men, an exploration of sex in New York’s early days of HIV/AIDS. Schnitzler’s script has been used as a warning against sexually transmitted diseases since its inception, revealing how STDs are not limited to the lower classes, but can run through every layer of polite and not so polite society.

When director Kirstie Davis was approached by LAMDA (London Academy of Music and Dramatic Art) to partner up with a writer for their Long Project, she thought of me. We’d collaborated on several other projects – Woman of Flowers, her commission to me from Forest Forge Theatre, and her fabulous re-imagining of my script peeling, with Kiruna Stamell, Ali Briggs and Nicola Miles-Wildin. I love working with Kirstie. As a director she is imaginative, discerning, supportive and full of integrity. It’s always a joy to work with her – in so many ways she really is a playwright’s dream collaborator.

As the LAMDA commission would be for graduating actors going into the world, we wanted to make work which showcased each actor’s individual skills and so reveal their scope. I thought of the structure of La Ronde, with its interlocking ‘daisy chain’ dramaturgy, enabling actors to be in two different duologue-scenes, thereby enabling diversity in what each performer does, and creating parity in stage time. This is not a text with lead and minor parts – all parts are equal in length and importance, with a deliberate mixture of interactive dialogue and monologue for each character.

Lie With Me is not an adaptation of Schnitzler’s text, but is inspired by it. I have taken certain aspects of the original – the circular dramaturgy, the notion of characters from different strata in society engaging – but my piece focuses on a broader representation of encounters, not just sexual, as in the original. I wanted to explore identity culture and how a character may change according to the context they are in, and whom they are interacting with. I also wanted to respond to the times we live in – the contradictions, deceptions and interactions in a ‘post-truth’ contemporary urban setting. My title is carefully chosen, reflecting, I hope, both the original inspiration and the often deceptive lives we lead in a world of ‘fake news’ and an ambiguous moral compass.

Rehearsals start next week, after I complete my fellowship at International Research centre ‘Interweaving Performance Cultures’ attached to Freie Universitat in Berlin. I will be flying to London to start rehearsals. Watch this space.

 

 

 

Lie With Me

by Kaite O’Reilly

13  19 July

The LAMDA Linbury Studio, London.

A world première, inspired by La Ronde, an exploration of the connections and degrees of separation between individuals in post-truth, contemporary urban life. Information here

LIE WITH ME – London July 2017

‘What’s on’ LAMDA website

Last year my long-term collaborator, the brilliant director Kirstie Davis, and I had a fantastically creative time working with acting students at LAMDA – London Academy of Music and Drama. Part of the ‘Long Project’, we worked with a dozen talented young performers, whose energy and enthusiasm inspired me to go away and write LIE WITH ME.

Fast forward a year, and a different cast (but such is theatre) – and the Summer season has just been announced — tickets go on sale later this week. If you’re in the London area in July and fancy seeing a world premiere presented by the artists of the future – you know where to come…

‘Lie With Me’ LAMDA website

Lie with me

Written by Kaite O’Reilly
Directed by Kirstie Davis and performed at The LAMDA Linbury Studio

A world première, commissioned by LAMDA following a workshop development last year. Inspired by La Ronde, O’Reilly’s Lie With Me is an exploration of the connections and degrees of separation between individuals in post-truth, contemporary urban life.

Please note, this production contains adult themes and strong language.

Thursday 13 July: 7.30pm

Friday 14 July: 7.30pm

Saturday 15 July: 2.00pm & 7.30pm

Monday 17 July: 7.30pm

Tuesday 18 July: 2.00pm & 7.30pm

Wednesday 19 July: 7.30pm

Booking for this performance opens on Friday 12 May at noon.

– See more HERE