“It’s like I’ve disappeared. I walk down the road and throw no shadow.”
“That’s what getting older does for you.”
Ageing is a lesson in humility – a time of reckoning. Rose wants an exit plan that is bold and invigorating, but her three warring daughters have other ideas. We all have to die, but what makes a good death? Everyone seems to have an opinion, even Rose’s precocious granddaughter and the strange Welsh woman taking refuge in the garden.
Cosy is a darkly comedic look at the joys and humiliations of getting older and how we shuffle off this mortal coil. It tackles head-on our obsession with eternal youth, and asks whose life (or death) is it, anyway?
Humour is a great panacea, allowing us to consider serious subjects with resonance for our times. I believe it is laughter which allows us to dare and shine a light into those darker corners of human existence which we might otherwise wish to avoid…
Ageing, mortality, and its impact on that original cast – the family – has long been of fascination to me. We all become children when we go home. When a family gathers across generations, siblings degenerate into nursery rivalries, retaining all the same childhood hierarchies, antipathies and alliances of the past. When this coincides with the serious issue of the fragility and uncertainties of ageing, and an apparent lack of agency and control about the future, what happens? Do those fragile fissures crack?
With a population top heavy with baby boomers, the next generation hungry for their inheritance, a care crisis and recent parliamentary debates around the ‘right to die’, Cosy is a play with immediate relevance today.
I’m immensely excited to be writing this first blog post about the forthcoming Irish premiere of the play, produced by Cork-based long term collaborators Gaitkrash. We co-created playing The Maids, previewing as work in progress in the 2014 Cork Midsummer Festival, so it is with a certain relish director Phillip Zarrilli and I return to the city and this lovely festival.
We started rehearsals this week, and I’ll be documenting that creative process in future blogs, reflecting on the challenges and changes of second productions, the impact of changing country and nationality, what is discovered and made new – and other topics as they arise. Meanwhile, here’s a little information about this specific production:
Cosy is an inclusive production for a mainstream audience, exploring universal ethical issues of life, death, and our relationship to the medical profession, powered by a disability perspective.
Firkin Crane, Cork
Supported by an Arts Council Project Award., CIT Arts Office, UCC Department of Theatre, CIT Cork School of Music, Civic Trust House, Suisha Inclusive Arts, and The Guesthouse.