I’m writing from an unusually dreary and rain-lashed Singapore, on the second day of rehearsals for international collaboration ‘And Suddenly I Disappear…. The Singapore ‘d’ monologues’. This Unlimited commission is an international theatrical dialogue of difference, disability, and what it is to be human, from opposite sides of the world. Inspired by previously unrecorded lived experience in Singapore and the UK, I’ve written a mosaic of fictionalised monologues which will be presented across multiple languages in spoken, visual and projected forms, incorporating the aesthetics of access.
I’m currently at the testing phase – trying out material and testing its content, sense, and coherence. It is only day two, but already I’ve been editing and reshaping monologues and thinking of different orders and dramatic structures to create dissonance and counterpoint, shade and light across the various ‘voices’ and experiences I’ve chosen to explore. The cast is an ensemble of experienced and emerging theatre practitioners from the UK and Singapore, who all identify as Deaf and/or disabled. I will be writing more about them and our progress in forthcoming days.
I’m tired now, but it is an excited exhaustion… This production will be the first multilingual, intercultural, Deaf and disability-led theatre project created between the UK and Singapore. After premiering May 24-27 at the National Museum Theatre in Singapore, a version will tour to the UK in September. Further details will follow once the event has been announced in the UK.
Meanwhile, I will endeavour to document the process over the next three weeks as we ask how to make the rehearsals and production inclusive and accessible, whilst also being innovative in our practice and creating new challenges.