Every July and August Phillip Zarrilli leads a ‘Summer Intensive’, which he describes as “an intensive, ongoing, preperformative psychophysical process of performer training through Asian martial/meditation arts including t’aiqiquan, Indian yoga and the closely related martial art, kalarippayattu.” The first non-Indian to be awarded master status in kalarippayattu, the martial art of Kerala, South India, Phillip has developed an approach to actor-training utilising Asian martial arts to explore body-mind connections through psychophysical disciplines, developing an intuitive awareness necessary for performance.
Every summer participants come from all over the world come to his studio in Wales to train in his approach and learn to apply the principles to performance through structured improvisations.
This August I was privileged to be involved in the workshop, leading participants from Canada, Italy, Estonia, Jordan, Germany, Portugal,and England in writing exercises to be utilised in the studio. Working through the senses, the exercises generated original written material and starting points for solo performance scores. Sometimes the text became spoken monologues, or unspoken ‘inner’ monologues to help animate the actor. Some came with work already in development, whilst other participants created material from scratch, guided and ‘side-coached’ by Phillip.
It’s a very different way of writing from my own practice – and a very different way of using text, often to enliven the performer’s inner work, and provoke physical scores or choreography. It was a fascinating and stimulating week, reminding me why one of my definitions of heaven is being in the studio…