Why I think Frida Kahlo is a disability icon: Frida Kahlo on pain and tragedy

From pinterest

From pinterest

“Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.” 

Frida Kahlo journals

We are working on my performance text ‘The 9 fridas’ and dealing constantly with Frida Kahlo’s defiance in the face of pain and adversity. One reason why I chose to make this text was a desire to reclaim Kahlo as a disability icon and inspiration, rather than the ‘tragic but brave’ mainstream representations of her in more recent years. Before we coined ‘crip culture’ she was living it… I adore her for her refusal to be constrained by what could be viewed at the time as the limitations of her gender and impairment – for the fact she created extraordinary art the likes of which had not been seen before – for her laughter, her anger, her attitude in her paintings – what Andre Breton called ‘the pretty ribbon tied around the bomb.’

“My painting carries with it the message of pain.”
Frida Kahlo journals.

As someone who also experiences chronic pain, I am drawn to her paintings and the depictions of pain. Sometimes her work dwells, perhaps even relishes, her experience of pain – her face on a wounded deer, the tears and hammered-in nails of The Broken Column, both echoing the martyrdom of St Sebastian. It is something I have addressed in the production of ‘The  Fridas’ – this paradox between her laughing at tragedy (as Kahlo acknowledges in the top quotation),  and presenting her broken body as tragic.

YY's version of Frida's Day of the dead sugar skull. The 9 Fridas, Taipei.

YY’s version of Frida’s Day of the dead sugar skull. The 9 Fridas, Taipei.

As a Mexican, death would have been a constant companion and not taboo, nor as feared as it is in so many other cultures. In the script I use references to the ancient Mayan belief system which Kahlo quoted in diaries and letters: the sense all has spirit – even the rocks and cacti and hummingbirds – and that death is a natural state we return to after living. As someone who escaped death many times in her life through accident and disease, and who survived an excessive amount of serious operations, ‘le pelona’ – the bald one/Death – ‘dances around my bed at night.’ This is another aspect which I feel has much resonance for disabled people – the body interfered with, the reality of our corporeal state, the closeness of mortality and the joie de vivre that can arise from this awareness.

Our designer Yy Lim and costume designer YS Lee are having the time of their lives working on this Mobius Strip production for the Taipei art festival. In my previous post I reproduced some of the looks YS has created for our figures who are and are not Kahlo, and props appear daily in the rehearsal room, creating delight or pathos.

This extraordinary corset created by YS, exactly reproducing one of Kahlo’s plaster corsets silenced us this week.

Designer YS Lee's reproduction of Frida Kahlo's corset for 'The 9 Fridas'

Designer YS Lee’s reproduction of Frida Kahlo’s corset for ‘The 9 Fridas’

To love so fully, to create such masterly art work despite constant pain and managing her impairments, and to truly live until the moment she died… that’s why I call Frida Kahlo a disability icon.

4 responses to “Why I think Frida Kahlo is a disability icon: Frida Kahlo on pain and tragedy

  1. Thank you. Thank you. With all my heart.

    Xxx

    Corina http://www.corinaduyn.com

    >

  2. I couldn’t agree more… Frida’s work was my introduction to disability arts when I was at college in the late 1980s. Her work drew me in when I knew nothing of disability arts and was a spur for me, making work about psychiatry and mental health issues. It is extraordinary the number of disabled artists who relate to Frida Khalo. Her spirit lives on through disability arts, whether the world wants to acknowledge disability arts or not. I hope there is going to be some opportunity to see this work Kaite? If only on film? xxx

    • Thank you, Colin. Like you, Frida has been with me for many years (actually, most of my life), an astonishing role model regarding gender and disability politics, as well as creativity….
      When we open in early September, we are documenting the performance, but it will still be in Mandarin (!).
      I hope to have a production in English some day….
      x

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s